≡ Menu

What if? That’s a very powerful question to ask. It can help you play, it can help you let loose and let go, and it can help you take your gel prints to the next level. How? That’s what my next weekend retreat is all about! Join me for What If: A Weekend of Gel Printing.

***UPDATE***Am blown away by the response to this retreat- it is now completely sold out! All hope is not lost- there is a wait list- so get your name on there so if a spot opens up Glenda can email you.

Once you’re checked in on Friday afternoon, you’ve got a great big goodie bag of gel printing supplies waiting for you including a StencilGirl stencil I designed exclusively for retreat members only!

In this bag you’ll find all the components you need to make an interchangeable texture tool. I like tools that are fast and easy to use that can create a variety of looks. This texture tool lets you do that!

Friday night kicks off with texture tool making so you’ll have a plethora of you infused patterns to use on Saturday and Sunday.

Saturday and Sunday are jam packed with gel printing techniques that all came from 2 little words, what if! What if it’s really really wet? What if it takes forever to dry? What if it is totally dry? What if it all gets combined?

We’ll wrap up the weekend Sunday night creating art journals with zero measuring & not a stitch of sewing made from your gel prints.

Saturday night, we have a guest instructor, Dave the husband. He’ll be leading us in a evening of gel printing in his signature style, comically clueless. You may have seen him in some of my videos so be prepared to laugh, to have fun, and to escape adulthood during this weekend!

During our weekend together, you’re going to make a prints that are just going to take your breath away when you lift those off the plate. And some of them, they’re going to be some ugly ducklings.

We all get those, but with a few simple things, you can take an ugly duckling and turn it into a swan and I’m going to show you how to do that this weekend

I’m bringing a van load (literally) of supplies and goodies so you only need to pack an itty bitty supply list. All you you need to bring is acrylic paint, paintbrushes, scissors, and an apron.

Leave some room in your suitcase to get all your prints and texture tools home. I’ve got everything else for you!

This is a great way to try out different materials and techniques before you invest in the supplies!

This weekend is about more than just gel printing, it’s about connecting with other creative women. All of our meals are prepared for us fresh on the premises. It’s like going out to eat with your friends for every meal!

Breakfast, lunch & dinner are all included with your registration because it’s an all inclusive event!

I am honored once again to be working with the extraordinary Glenda Miles to make this retreat possible. I’m bringing the play and she’s bringing the pampering. She knows how to take care of us so we can fully relax and enjoy our weekend away.

So where’s What If taking place? It’s all happening at St Mary’s Transfiguration Center in Cincinnati, Ohio. This place is as peaceful and serene as the name sound with beautiful grounds that you can take strolls along.

They have a labyrinth that you can walk and there’s this wonderful babbling brook pond right outside our door. Such a peaceful vibe to the entire campus!

This retreat is purposely kept small and intimate with just 21 women. We’ll be taking over the entire building so that means we can leave our stuff on our table 24 hours a day! No moving or packing/unpacking, just maximum play time!

What if: A Weekend of Gel Printing

Sept. 11-14, 2020

St. Mary’s Transfiguration Center, Cincinnati, Ohio

Your All Inclusive Ticket includes:

  • Fri-Sun workshops
  • Your room and ensuite bathroom
  • All meals and snacks Friday dinner to Monday breakfast
  • Exclusive to this retreat only Carolyn designed StencilGirl Stencil
  • Your interchangeable texture tool that you’ll create and take home
  • Interactive Gel Printing with Dave Saturday night
  • A mountain of supplies to share:
    • Huge assortment of StencilGirl stencils for your use
    • A rainbow of play using Marabu Art Crayons, Art Sprays, Aqua Inks and Alcohol Inks.
    • Trays of PanPastels
  • Gel Press plates, brayers, and other paint application tools for you to use
  • Piles of papers to print on
  • A texture and pattern smorgasbord
  • Plus some surprises!

All-Inclusive Tickets

Single Room Regular Price $995

Single Room Early Bird Price $820 SOLD OUT

Share-a-room Early Bird $775 SOLD OUT

***UPDATE***Am blown away by the response to this retreat- it is now completely sold out! All hope is not lost- there is a wait list- so get your name on there so if a spot opens up Glenda can email you.

{ 0 comments }

This art journal page didn’t go as planned. And that’s a good thing! Why? Because I made a boatload of O.O.P.S.ies on here and each O.O.P.S. led me in a better direction than I planned!

What’s an O.O.P.S.? It’s an Outstanding Opportunity Presenting Suddenly.

Using ho hum gel prints is a great way to start an art journal page.

When you’re collaging something like old book text in your art journal, you can use any glue you have. Glue sticks are the least messy and dry the fastest- so if you’re impatient like me it’s a great option!

The Outstanding Opportunities Presenting Suddenly (O.O.P.S.) began with the paint. The very first color I used was “wrong”. Then the white I used was “wrong”. But that fluorescent yellow became just what I needed to mix with another color. The white became a great way to create a light blue.

There were all sorts of O.O.P.S.ies with the stenciling! The plan was for the words to show up, but the first set didn’t show up much at all. When I used the orange it really didn’t show up!

There was a big glob of unplanned paint on the I that just jumped out at me. And that was a gift too.

All that imperfect stenciling led me to using a pen to outline the letters and to see the symbolism in that blob of white paint.

When you’re using a pen on paint, it can ruin the pen. Especially if the paint is still wet or damp. That’s why I often use a fountain pen. It can take a whole lot of abuse- when it stops writing, I just wipe off the nib and it starts working again.

O.O.P.S.! If you have really wet paper and you write with a fountain pen, you can rip the paper. Seeing that bit of orange peek through encouraged me to do it some more to create more of that. Never would have even considered it if without the O.O.P.S.

Next time you’re arting if things don’t go as planned, try saying O.O.P..S and see where it takes you!

Here are the supplies used. Some of these links are affiliate links which means I get a small percentage. It doesn’t cost you anything extra and it helps keep the free tutorials coming!


{ 2 comments }

What’s the play for today? A rainbow of Liquitex’s Acrylic Gouache, some cardboard, and taking a risk.

I took a risk, used something that set off my inner supply hoarder and that almost ended the fun. But there was a way to quiet down that noisy supply hoarder and I’m sharing it with you in today’s video!

If you’re new to Liquitex’s Acrylic Gouache, it is like watercolors and acrylic paint had a love child. You can use it straight out of the bottle or you can use it with water and it behaves more like a watercolor.

The best part is that when it is dry, it stays dry- meaning it won’t reactivate so it’s great for mixed media layers!

Using a cosmetic sponge, you can stencil with Liquitex Acrylic Gouache. Here I’m using my Circular Patterns for Play stencil to add some loose patterns.

The shape of the bottle is extra handy- you can use it almost like a pen. It made adding a bit of colorful outlining a snap.

So this is the part of the play where I decided I’m going to live on the edge. I was going to actually use the vintage ephemera I had been saving for the “right” project.

It’s a cancelled check from the 1870s. Thanks to a very fiesty supply hoarder inside of me, this almost ended the play.

A war began in my head as to whether or not I should use the check- even after I added some color to it. That war almost shut me down until I made an O.O.P.S., an Outstanding Opportunity Presenting Suddenly.

It’s hard for me to take myself too seriously when I’m saying O.O.P.S., especially when I’m really frustrated and say O.O.P.S. in an angry voice.

That’s just what I needed to start laughing at all the crazy thoughts in my head and get back into the play.

A lot of times when I’m playing in an art journal, on cardboard like this, or really making anything, I get a little reminders or messages from my muse.

Today it was a reminder to not take things so seriously. To help with that I used the Sigmund and Silas stencil. These two characters try to take things seriously, but they look absolutely ridiculous in the process.

Creating the title for this play used part of a stensul. There’s a lot of flexibility when you have quotes or stencils, you can just all or only use part of it. I just used the words I needed to represent today’s play, A Little Nonsense from my It’s Time to Play stencil.

I managed to keep that playful state of mind today by being able to laugh at myself at all the crazy stuff I was arguing about in my head. Want to know other ways that you can keep that playful state? Well then check out my free workshop called Permission to Play.

Here is a link to the supplies used. Some of these links are affiliate links which means I get a small percentage. It doesn’t cost you anything extra and it helps keep the free tutorials coming!


{ 0 comments }