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Can you use tissue paper to make gel prints? Absolutely!  It’s paper and paper works on a gel plate!  There is one important thing that if you know it, even when you have a juicy wet gel plate it is easy to print away on tissue.  In the video, you’ll see when it ripped for me, and it wasn’t when you’d expect it to rip!

Watch How to Gel Print with Tissue Paper on YouTube.

Find out more about Gel Printing FUNdamentals mentioned in the video.

Why use tissue paper? It’s super thin and if you leave bare spots, it can make for fun layers in an art journal. That’s what I’m using my Figments masks for, to leave a portion without any paint.  I’ve got an idea for how I’ll be using it in my art journal and you bet I’ll have a video of it.  Be sure to be subscribed to my newsletter so you’ll know when it’s posted.

How did I choose what tissue paper to use? It’s not because it has special qualities, it’s a practical reason.  I wanted tissue paper I could have in sheets without the folds in it. This comes in 12 x 18 sheets that are completely flat so I just cut them in half and voila! They are ready for printing.  And I think it’s funny that the image on their site has colored tissue but it really is all white, just be sure that the description when you order says white.

Brayer the paint around the gel plate and then lift up the Figments masks.  These masks are included with the stencil, so you get 7 masks and the stencil in the set.

Gently place the tissue paper on the paint.  Lightly smooth it out to be sure the tissue paper is touching the paint. After all, if it doesn’t touch the paint it won’t pull up the paint there.

Grab the tissue paper with both hands.  Lift with both hands. This will allow it to lift and not rip. You can use just one hand, but that makes the paper harder to handle once it is off the plate.

No matter how much paint I used, and some of them were super juicy, the tissue paper didn’t rip when I pulled it off the plate.  I did however manage to rip the paper bumping into a box with it as I was trying to find a place to set it dry.

The secret to delicate tissue paper coming off the plate? Leaving a dry edge around it, so that when you are picking it up, you are holding on to dry tissue paper.

Now that you know what the fundamentals are about tissue paper and gel printing, it’s much easier to print with it. Understanding the fundamentals makes things easier.

If you’d like to know more fundamentals about the gel plate, check out my self paced online workshop that is all about understanding the how the magic happens when printing so you can make prints you love.

Here are the supplies used. Some of these links are affiliate links which means I get a small percentage. It doesn’t cost you anything extra and it helps keep the free tutorials coming!

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Let’s chase away the blank page and say goodbye to all the pressure that can accompany that blankness, by gel printing directly in the journal.   Why do I love to start an art journal page this way? Is it because every drop of paint is used?  Is it because there is zero pressure? Is it because it’s exciting to see the colors mingle? Yes to all of them!

Watch Gel Printing, Stamping and Mousse in an Art Journal on YouTube.

If you’re looking for more ways to use your gel plate, to play with the rainbow and never make mud, and to have fun printing then check out the self paced Gel Printing FUNdamentals.

What’s that texture tool I used to make the pattern? It’s textured wallpaper.  What can you do if you don’t have that lying around? Have any of those embossing folders? Those will create a raised pattern on the paper that you can use just the way I did the textured wallpaper.

The gel plate was my “ink pad” for stamping.  And by ink pad, what I mean is a place to put the paint so that not a drop is wasted.  The paint left of the plate after I was done stamping was used to make prints.

The ghost print made me extremely happy but what about the other print?  It didn’t rock my world.  That happens sometimes.  But I’m keeping that print because I know it too will become one I love.  How I build up layers, the decision process for how to transform ho hum prints into something so much more is all a part of Gel Printing FUNdamentals.

Once it is stamped, then it is time to cover up the background with a touch of white.

If you’re wondering how to carve a big stamp, I’ve shared my process in this video.

On top of the white paint is white Mousse. What is Mousse by Marabu? It is like a texture paste with a fine grit to it that dries in a few minutes.  I used white and put it through my Rembrandt’s Words stencil . White on white is tough to see.  But it wasn’t going to be white for very long!

By going over it with an Art Crayon, the Mousse was grabbing the color.  Art Crayons react to water, so using a baby wipe, the color blends and smears and moves easily. It’s so creamy that you can also just use your finger to move it around too.

In the video, you’ll see the “struggle” I went through to cover up this background. It always adds an extra bit of excitement for me when part of me wants to keep something and part of me wants to cover it up.

Of course, nothing is every really fully covered, like here where the background peeks out from around and under the pink.

Here’s where I stopped playing today because of the Art Crayons.  Right now they are creamy but if I give them some time to dry, they will become matte.  That means things like colored pencils will be able to write on them.  Love that it can be creamy to start then matte when dry because it gives me so many options for how to use it!

Now you know one of the ways I deal with the blank page so next time you feel any pressure from a crisp, new page, grab your gel plate and get that color on there!

Here are the supplies used. Some of these links are affiliate links which means I get a small percentage. It doesn’t cost you anything extra and it helps keep the free tutorials coming!

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Paint Pouring Palooza is a one day workshop filled with the rainbow!  Join me for this in-person workshop where you’ll make ten canvases, giving you hands-on experience with multiple pouring techniques.  I’ll walk your through each technique step-by-step so that you will have all the knowledge you need to make canvases that make people say WOW!

Your registration includes all the supplies plus my online workshop, Paint Pouring FUNdamentals ( $99 value).  All you need to bring is an apron!

Get registered and join the fun!

Zero experience required to do this.  Really.  How do I know that? Because every time I have taught someone how to do acrylic pours, they gasp with excitement when they see their painting develop before their eyes.

What supplies do you need to bring?  All you need to bring is an apron.  Everything else, and I mean everything, is included.  Deco Art Pouring medium, cell making additives (yes, more than 1),  paints, 10 canvases (8×10 size) and more.  Everything you need to make ten canvases in one day. Even lunch is included from Evonda’s Cafe.

What’s the benefit of making 10 in one day? The play and the practice.

When you make only 1, there is extra pressure to make it “good”. That pressure is often what makes it “not good”.  The more canvases you pour, the more comfortable and relaxed you are with the process.  Paint Pouring Palooza guides you get over the hesitation and immerses you in the play.

Having 10 finished means you have gifts ready to give or you can fill a wall in your home.  I’ll be sharing how to do the backing and mounting and hanging of the canvases with you also.

You get to try multiple techniques as you put in to practice the technical information you’re learning.  As you have questions, I’m right there answering them and guiding you through the process. Here are just some of the technical skills you’ll know after our day together

  • how to build a composition of color as your pour
  • cell making techniques
  • tips and tricks to adding paint to the cup to get the results you want
  • how to mix up your own custom pouring recipe
  • how to keep brights bright
  • what makes the glossy shine
  • most of all, having all your questions answered as you’re pouring.

How will you get 10 wet canvases home?  They need to dry before you take them home so you can come back and pick them up later in the week and if you’re from out of town, Glenda, our amazing host, will box them up and ship them to you once they are dry.  You’ll just pay the actual shipping cost.

When? December 1st, 2018 10am-5pm

Where? Pendleton Art Center, in Middletown, Ohio, basically at the top of Cincinnati. To the north for those of you who prefer cardinal directions.

Cost?  $150 includes everything but the apron so no hunting for the “right” supplies, no gathering up of a long list of needed items, all you have to do is show up with an apron ready to have fun. PLUS my online workshop, Paint Pouring FUNdamentals ($99 value) is included too!

Join me for some in person play at Paint Pouring Palooza, where you’ll be making 10 canvases.  Yes, 10 in one day! That means you’ll have a stack of gifts ready to give or keep for your own walls. No experience needed to create canvases that take your breath away.

 

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