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Being able to add an image, some fancy script, or anything else to mixed media piece is why I have been drawn to image transfers. But I’m impatient and the image transfer process has never been very successful for me, until now.

I stumbled upon InkAid’s process using Transferiez solution and now I can do an image transfer quickly, within two minutes! I’ve got the entire process for you and what you need to know to get started. And InkAid has a starter kit you can order to just try a little of this to see how you like working with it.

You might also want a few images to try the process out with, so I’ve put together a sheet of them for you. You can sign up to have them emailed to you here. Also, there’s a pdf of the steps so you can have that right next to you as you’re doing it.

I tested it out the process on this canvas by adding the fancy vintage writing as transfers. On the painted, mixed media surface, it transferred! This stuff will transfer onto painted surfaces, old book text, fabric, metal, wood, just about any mixed media surface!

To create an image transfer you’ll need:

  • the Transferiez solution mixed in a jar with a tight lid
  • an inkjet printed image printed on InkAid’s Transfer Film (preferably pigment based).
InkAid has a starter pack with 4 oz. of Transferiez concentrate and 6 pieces of Transfer Film.

Printing on the Transfer film.

The transfer film has a coating on one side. You want to print on that side using an Inkjet printer.

Did you know inkjet printers have two kinds of ink? Pigment or dye.

I’ve done this will both dye and pigment based printers and they work, but the pigment based works best. And if you never realized that inkjet printers have two kinds of ink in them, me either until I started doing this!

Check if your printer uses pigment or dye based ink simply by googling: Is (enter the make and model of your printer) ink cartridge pigment ink? Keep reading to see impact of the two types of ink. It wasn’t what I expected.

Reversing Text: If you’re transferring anything with words, you’ll need to reverse the image. Often printers have an option to reverse or mirror the image or you can use a photo editing software.

To create the Transferiez solution you put 4 ounces of 91% isopropyl alcohol in a jar. Next, add 1 tablespoon of the Transferiez concentrate. Put the lid on and mix by swirling the jar. The lid is important so the alcohol doesn’t evaporate.

The liquid will become cloudy and will need 3-4 hours to fully bond, bind or do whatever it does to become clear and thicken up. It’s a good idea to swirl the jar every now and then during those 3-4 hours. But after that, it’s all ready to go, no waiting!

InkAid says it will last a 2-3 days but what I’ve found is it lasts a lot longer than that. I suspect that is because I keep the lid on it to prevent as little alcohol from evaporating as possible. But what makes it not “good” or not work? When the solution gets cloudy. So long as the solution is clear, it’s good to use! I’ve had a jar of it for over a month and it was still clear and worked great.

Now that the Transferiez solution is ready, let’s make a transfer!

Step 1: Apply a layer of Transferiez solution with a foam brush. I try to cover an area larger than my image. You’ll want the area fully covered and juicy, but not too much or too little. Later in this post, I explain more about that.

Step 2: Apply the Transfer film print side down. If you’ve got words or text, you’ll need to reverse those before you print. Often printers have a mirror or reverse image setting that will do it for you.

Step 3:You’ll want to gently press the image down. I am very inconsistent when I used my hands so I prefer to very gently use a brayer to roll over it.

Step 4: Wait 2 minutes then slowly lift the Transfer film.

Is it hard to get the proper amount of Transferiez solution? This is actually a forgiving process. I tested if anyone could do this by showing Dave, the husband, how to do it and letting him try. He nailed it first time even though he no confidence he was getting the “right” amount of solution on there.

But what happens if you use too little or two much Transferiez solution? Well, too little means very little of the image will transfer. Too much means it can slip and slide and distort more easily. So how do you figure out the best amount for you to use? Trying it a couple of times. That’s where the InkAid starter pack is so handy. 6 sheets of Transfer film and more than enough Tranferiez concentrate to do it.

Pigment vs. dye inks

Apparently, inkjet printers can have two kinds of ink, pigment or dye. I did a side by side experiment to see what difference it made using pigment or dye inks to the transfer process.

What I found is that dye based ink would smear more easily. That’s why the white writing in the pink is so blurred on the right side, it was dye ink. The pigment ink on the left, held all the detail. Also, notice the detail in the others colors in the pigment ink compared to the dye based image.

But then I expected that to happen with the second set of images, and they didn’t smear the same way. But the image didn’t transfer as well either. So my take away is that dye based ink is very unpredictable compared to pigment ink.

So what does this mean for you? If you’ve got an inkjet printer that has all dye inks, you can still do transfers, it just may be more unpredictable. If you’ve got an inkjet printer that has pigment black and dye colors (a common thing I found out), then you can get more of a pigment ink look when doing black and white and then colors are less predictable.

This is where the starter pack from InkAid is so helpful, for you to give it a try using your printer. And if you’re wondering what to print on the Transfer film, I’ve got a free sheet of images I can email to you. I’ll be sharing more image transfer play and videos, so keep an eye out for those!

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Butterflies make for playful cards to send to friends, especially when you raise their wings as if they’re mid flight! This card is very forgiving to make, as you’ll see in the video! If you’re thinking something didn’t go as planned, you’re right!

The play starts with a gel plate and my Butterfly Journeys stencil from StencilGirl. My plan was to use pinks and oranges to make the butterflies. Clearly, I didn’t stick to that plan.

The color that will be peeking out from under the wings, is just a quick gel print on book text.

When cutting out the wings, only cut the wings, not the body. That way they stay attached the paper but you can lift them for that playful touch! Do yourself a favor and put in a fresh blade before you start cutting. The cutting process is so much easier this way!

You’ll see a wing fall right off in the video, OOPS! But every mistake really is an Outstanding Opportunity Presenting Suddenly. And it turned out to be very handy to make another O.O.P.S. look intentional. It wasn’t but only you and I know that!

Then it’s just a matter of putting the layers together! The trickiest part for me is to be sure I don’t glue the wings down flat!

This isn’t the only way you can use a gel plate and if you’re curious about it or want more inspiration for using yours, check out my page of tips, tricks, and tutorials!

Here are the supplies used. Some of these links may be affiliate links which means I get a small percentage and it doesn’t cost you anything extra! It doesn’t cost you anything extra and you get a really good feeling knowing that you are helping keep the free tutorials coming!


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Can creating complex layers on a gel plate be simple? Absolutely! Layering comes down to just 2 factors. Once you understand how to use these 2 factors on a gel plate, you can consistently create the kinds of prints you want. And more importantly, have even more fun printing!

You can use the slap-dash method of printing and go through the frustration of trial and error, or you can skip all that and go straight to making prints you love with Mastering the Layers because registration is open again! Your prints don’t have to be random luck!

Amazing how little I knew and how much I could learn given that I’ve been using a gel plate for about 3 years now!” -Cynthia Silveri

This online workshop is about both the techniques to create layers and the understanding of how layers interact. Knowing this enables you to create the kinds of prints you want on command. The more you understand the gel plate, the more fun you can have with it!

You have saved us so much time, so now we can just play and play and have a bit of say over the final print!! Thank you!!”-Marrianne Pagnani.

In Mastering the Layers you’ll:

  • Discover how to add layers and not mess up the bright, vibrant colors
  • Find out simple ways to achieve interest or depth in your prints
  • Be confident in your layering choices as you fully understand the 2 key factors that impact layering
  • And so much more!

Want to feel confident with your color choices?

I’m thrilled to get past all mud!” -Sue Johnson

Color plays a huge role in gel printing and it’s covered in depth inside Mastering the Layers. This is practical color, explained in a way that can be easily applied when you’re printing.

Years ago I took a color course at the college and still came away confused about the colors and how to use them with each other. Thank you for simplifying this for me.”-Deborah Reis

You can know color theory and still manage to fall into ugly color situations when gel printing. That’s because color on the gel plate has a bit of a twist to it that can significantly impact your colors.

Once you know how to apply that twist then you can:

  • vary your color combinations so your prints don’t all look the same at the end of a printing session
  • know just the right amount of paint you need to use
  • get colors to integrate and blend without a blocky look

“NOW I understand why so many of my prints are dark and gloomy! Thanks, Carolyn!” -Deanna Robbins

This class brought me to art again. And I am so happy!” -Andrea Miller

Layered prints look thought out, yet so random at the same time. Is it serendipitous or is it planned?

There’s always an element of serendipity to gel printing, but knowing how to layer means you can steer the serendipity in the direction you want to go.

“You make it very easy to understand what to do when…Thank you!” -Lisa Mendez

What about making a series of prints with more control?

When you possess an understanding of the layering process, you can create a repeatable series of prints.

This was really fun. Such an easy technique but such fantastic results. Love it!!! -Maggie Hanus

What about the ugly prints?

Ugly prints happen to us all, including me. But when you understand the layers, you can rescue it! Often the ugliest prints become my favorite by just adding a few more layers. I’m sharing how I do that in your first bonus:

What To Do with an Ugly Print. In this video, you’ll be looking over my shoulder to see specific ways ugly prints can be rescued. It’s not random how they’re transformed into prints you love, it’s a matter of understanding how to layer.

Bonus Videos 2 & 3

2nd Bonus: The Painterly Brayer that gives you the one simple thing to do to create loose brush stroke looking prints using a brayer.

3rd Bonus: The Crackle Effect where you see how to create the cracked and aged look on command.

This is the best online class I’ve ever enrolled in.” -Amy Schneider

“Wow! I have learned so much in just a few lessons! As a former art teacher I appreciate that you are so prepared for your classes and there is no wasted time.” -Sandra Pineault

What’s included in Mastering the Layers:

  • 15 lessons all with downloadable videos
  • 3 bonus videos
  • over 4+ hours of carefully edited instruction! Each lesson thoughtfully chosen to build your understanding one step at a time so you can easily apply it while printing.
  • All videos are closed captioned
  • Lifetime access
  • 14 day no hassle money back guarantee

Lessons in this workshop:

  • Is it a Window or a Door?
  • Building Grungy Layers
  • Wet & Wild
  • How to Use Color to Your Advantage
  • Playing Peek-A-Boo with Colors
  • Painterly Prints
  • Best Friends and the Brayer
  • A Sticky Situation
  • The First Pancake and a Gel Plate
  • The Ins & Outs of Brayer Blending
  • Invisible Gel Printing
  • Fused Layers
  • Intentional Compositions
  • Dragon Scales
  • Deconstructed Layers

Bonus Videos Included when you register:

  • Creating the Crackle Effect
  • What To Do With an Ugly Print
  • The Painterly Brayer Trick

$149

FAQ

When does the it start?

This three week workshop begins the moment you register. Immediately upon registering, you’ll get the entire first week (5 videos) and then for each of the two following weeks, you’ll get 5 new lessons. That’s a total of 15 videos with lifetime access. Actually, 18 because there are three bonus videos! On top of that, there are getting started videos for you if you’re new to gel printing.

How long is the workshop?

This is a three week workshop that begins the moment you register. Each week, you get 5 new lessons with lifetime access.

How long is each lesson?

The lessons are about 15 minutes long, some a little longer, some a little shorter. They are all edited so that you can get the key information and get to playing.

I’ve never gel printed before. Can I make prints like this?

Absolutely- everything you need to know is in this workshop. This is a great way to get started because this workshop includes techniques, but more importantly it breaks down the process so you can fully understand the hows and whys of gel printing.

I’ve been making prints for a while, will this workshop help me make better prints?

Yes! Because this workshop is about more than just techniques, it’s about understanding why the layers do what they do. As you know, once you understand how a tool works, then the sky’s the limit.

I’m new to online workshops, how does this work?

Once you register, you’ll log into the classroom to access the lessons and videos. You can do this on a computer, a tablet, or mobile device.

This is a three week online workshop that begins the moment you register. Each week, you get 5 new lessons, each with a video.

All the videos are downloadable and have closed captions. You have lifetime access once you’re a member, so you can stream them online or watch them offline- whichever fits your schedule best.

I am here to help you throughout the workshop, so if you have any questions about the lessons or videos, simply ask them on the lesson page and I’ll get you an answer.

Have a question right now about the workshop? You can email me at https://acolorfuljourney.com/contact/

What supplies do I need?

The basic supplies you’ll need are a gel plate, any size, a soft rubber brayer, paper, acrylic paints, and texture/pattern making tools such as stencils and found objects like bubble wrap.

What kind and size of gel plate do I need?

The important thing about your gel plate is that it has squish. Not a technical term, but when you push on it is should have some bounce to it and why I love using Gel Press plates. As for size, that is personal preference. If you like to work big, get a bigger plate, if you like to work small, get a smaller plate. If you’re not sure, then go for the middle with an 8 x 10 size.

Do I need a specific kind of paint?

You need acrylic paint, it can be any brand, any color. Acrylic paints are the ones that clean up with water.

How long do I have to watch the videos?

You have as long as you need. You have lifetime access to the workshop.

Do the videos have closed captions?

Yes, every video has captions.

Can I watch it on an iPad or mobile device?

Yes, you can watch any of the videos on any device. The videos are hosted at Vimeo and they have a mobile app so you can even download them onto your mobile device.

Is there a Facebook group?

There are two ways you can share what you create and see what others are creating. One is inside the classroom and the other is an optional Facebook group just for members of this workshop.

Is there a guarantee?

Absolutely. It’s important to me that you have the workshop that is right for you. That’s why I offer a 14 day no hassle money back guarantee. How does it work? Just email me within 14 days from when you join and let me know in a one line email that the workshop isn’t right for you. I’ll get you a prompt and full refund.

What if I have a question you haven’t answered here?

You can reach out to me on my contact form at https://acolorfuljourney.com/contact/ and I’ll get you an answer to your question.

What’s included in Mastering the Layers:

  • 15 lessons all with downloadable videos
  • 3 bonus videos
  • over 4+ hours of carefully edited instruction! Each lesson thoughtfully chosen to build your understanding one step at a time so you can easily apply it while printing.
  • All videos are closed captioned
  • Lifetime access
  • 14 day no hassle money back guarantee

$149

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