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When you use a stencil you have options. You can use the entire stencil or just part of it. In the video, you’ll see how I take the Wrought Iron stencils I created for StencilGirl and build up layers using just pieces and parts of the designs. Having this option means you can get more out of all of your stencils!

How did today’s page begin? Whenever I have excess paint at the end of a play session, I use it up on a nearby art journal page. Then, at some point I come along and add more layers to it, like in today’s video.

3 things to keep an eye on if you want crisp stenciling

  1. The paint. Thicker, heavy body paints are less likely to run under the stencil.
  2. The amount of paint. If there’s a lot of paint, it’s more likely to run under the stencil. Less paint on the sponge makes it easier to get crisp lines.
  3. How you’re pouncing. Going in an up and down motion or side to side? Doing it gently or pushing down with force? Gently pouncing in an up and down motion makes it easier to get crisp lines. Going side to side or pushing down with more force is more likely to give you the looser, more imperfect look.

Art journal pages are not like milk. They don’t have an expiration date and they won’t go “bad”. This page will wait patiently for me to come back to it. It might be in a week or a month, and I’ll add another layer when it calls to me. By working in layers, I’m able to squeeze play in around my must do things, all that adulthood responsibility stuff.

Do I love the whole image or the pieces and parts more? Hard to say because they are used so differently. I love the full image, it works as a wonderful focal image. I also love the touches of pattern, like the circles below. They’re ideal when I want to add a little touch of pattern here and there. Or in a lot of places, like on this art journal page.

What I love the most is the versatility of having the option to use it all at once or just pick out specific elements to use. Stencils give you lots of options and if you’re ready to understand stencils more fully and get the most out of them then check out my online workshop, The Joy of Stenciling.

Here are the supplies used. Some of these links may be affiliate links which means I may get a small percentage and it doesn’t cost you anything extra! Plus you get a really good feeling knowing that you are helping keep the free tutorials coming!

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This is a quick and easy way to create the layered look of stacked speech bubbles. The trick is the first layer, and after that, it’s just filling in the space! The stencil I’m using is Speech Bubbles that I designed for StencilGirl Products, and yup, you get the masks (the cutout areas of the speech bubbles) with that set too!

Colors are added randomly and not randomly. The first colors are randomly placed, then as I add more, I’m consciously making sure that a color isn’t next to itself.

The plan for this colorful conversation was to have the words inside the speech bubbles, but plans change. Why? Because there was a different message or meaning that revealed itself during the play. In the video, I share why I chose to put the words in the white space.

This is just one way to use a stencil, there are a gaboodle of other ways you can use them. If you’re looking to go in depth on stencils, check out The Joy of Stenciling.

Here are the supplies used. Some of these links may be affiliate links which means I get a small percentage and it doesn’t cost you anything extra! And you get a really good feeling knowing that you are helping keep the free tutorials coming!

*****The yellow watercolor that I used has been discontinued- it was QoR hansa yellow medium. The bright purple that I used is one of the colors in the set of neon paints listed below. All other colors are individually listed below.*****

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What happens when I see incredible wrought iron while in Savannah, Georgia? I get the urge to grab a gel plate and make prints right there! The curves in the ironwork, the details mounted on those windows, it all just screamed gel print with me!

But there are some impracticalities with this. First, I don’t own the historic houses, so it would be illegal. Two, it’s impractical. Storing wrought iron or getting up to the second floor to do it is fraught with challenges.

There is a much more practical way to get wrought iron patterns onto a gel plate -with stencils! That’s what led to my my latest collection, Wrought Iron, at StencilGirl Products.

These stencils were inspired by gel printing, but like all stencils, they can be used with any art supply or medium. As you’ll see in the examples below, I’m partial to using bits and pieces to combine them to create new looks, but before you scroll down to those prints, here’s a gel print where I used the entire image.

The mystery surrounding the incredible wrought iron work of Savannah drew me in. According to the tour guide, wrought iron is a lost art because our modern day skills and technology cannot duplicate the quality and craftsmanship of the 1700 and 1800s. For this reason, these stencils symbolize the mysterious parts of the creative process.

There’s also a touch of mystery when you’re using pieces and parts of the Wrought Iron stencils. Building up the layers makes it nearly impossible to tell the exact order of how the layers were built.

Are these stencils or are they masks? Does it have to do with the positive and negative space? Is a mask the reverse of the stencil? Are all masks stencils but not all stencils are masks?

For a stencil like Wrought Iron, it isn’t a clear and simple answer. Rather than get into a lengthy discussion, just know that’s why I will interchangeably use both mask and stencil to describe these.

The black and white collage style print that I made in the video (at the top of this blog post) shows you how to grab pieces and parts. You have a myriad of ways to combine the various elements in the Wrought Iron stencils to create papers, prints, and patterns that are uniquely yours.

Whatever papers or surfaces you’ve got around, give it a try with Wrought Iron! I was surprised how smitten I was with the vintage look of black paint on book text. After all, I am usually a rainbow kind of gal.

You don’t have to use a gel plate to layer these stencils. This start to an art journal page was done with acrylic paint and cosmetic sponges. Any way you like to stencil, you can stencil with these.

By changing up your colors, you get different looks. On the earlier gel prints, I used the entire rainbow. But here I used just a few colors.

Along with colors, you can vary the number of stencils used. In the yellow print, I primarily used just two of the Wrought Iron stencils. There are an infinite number of possible ways you can combine these patterns! True, I haven’t counted to infinity, but for all practical purposes, there’s no limit!

Is this everything you can do with the Wrought Iron collection? Absolutely not! The sky is the limit and I’ve got so many more ideas and tutorials in the pipeline for you with these stencils, so be sure to get signed up for my weekly newsletter to be in the know! Not only will you get a new free download each week, but you’ll also get creative encouragement and inspiration too!

Supplies

Here are the supplies used for the prints in the video. Some of these links may be affiliate links which means I get a small percentage and it doesn’t cost you anything extra! And you get a really good feeling knowing that you are helping keep the free tutorials coming!

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